Halit Can Uzun : Photo London
Ambidexter features ten photographs by Halit Can Uzun (b. 1992, Turkey), created between 2020 and 2025 in Turkey, the Aegean, Europe, and the US.
There are moments we all recognize but seldom name. A newspaper left on a hedge after someone’s morning coffee. Hands resting on knees over open water. A figure illuminated by airplane windows, caught between departure and arrival. These photographs don’t aim to show you something new. They seek to remind you of things you’ve already experienced but passed by without pausing.
Uzun uses the softness of selective focus and the color unpredictability of analog processes to create images that feel more like memories than simple records. The exhibition includes the Helios triptych (2025), where botanical shapes fade into strips of color. It also features individual works, from the poignant stillness of Amfibik—a boat gradually enveloped by wildflowers to the close-up view in Transit (Aegean).
Each image holds up something we have all carried but assumed was ours alone — a colour we noticed and said nothing about, a warmth we felt but never named. And in that recognition, a quiet relief: someone else was looking where you were looking.
Artworks Part of this Exhibition
Halit Can Uzun
12:15AM, 2022
Archival Pigment Print
Artwork ID: 8217
Halit Can Uzun
Amfibik, 2020
Archival Pigment Print
Artwork ID: 8207
Halit Can Uzun
Helios I, 2025
Archival Pigment Print
Artwork ID: 8201
Halit Can Uzun
Helios III, 2025
Archival Pigment Print
Artwork ID: 8205
Halit Can Uzun
Helios II, 2025
Archival Pigment Print
Artwork ID: 8209
Halit Can Uzun
Ronald Profile, 2021
Archival Pigment Print
Artwork ID: 8213
Halit Can Uzun
Sunday Sauce Abbott Kinney, 2024
Archival Pigment Print
Artwork ID: 8203
Halit Can Uzun
Transit Aegean, 2023
Archival Pigment Print
Artwork ID: 8211
Halit Can Uzun
Wake, 2023
Archival Pigment Print
Artwork ID: 8199
Halit Can Uzun
Trance, 2020
Archival Pigment Print
Artwork ID: 8215
Halit Can Uzun
Born in 1992 in Adana, Uzun completed his postgraduate studies at UCLA in 2016. Halit Can Uzun’s large format analog, 35mm, and digital photography directs a sustained attention to the ordinary, finding quiet significance in the incidental details and mechanics of everyday life.
By turning his lens toward industrial plants, office rooms, open roads, and animals, he locates the point where technical precision becomes something deeply personal. While much contemporary photography seeks out the exceptional, Uzun’s work insists on what was already there, waiting at the edge of notice.