Ayşe Kırca : For the Sake of Beauty

16.09 – 30.09.2025

The impact of social media today means that being “beautiful” is never enough, leading people to become addicted to aesthetics, including Hollywood and the rest of the world’s obsession with “Ozempic,” “Mounjaro” weight loss injections, the new technological machines emerging daily in the beauty industry, or the use of photo applications like Facetune when these prove insufficient. We are moving far away from loving ourselves, accepting ourselves, and looking as we are. So far away that this obsession with beauty can make many of us look absurd and ridiculous in real life or in the digital world.

We live in a world where being beautiful, handsome, and young has always been valued. These terms, whose definitions vary depending on who you ask and what you ask for, push us to change ourselves. Beauty contests are one example. These are superficial competitions held all over the world, where a jury selects the most beautiful contestants from among that year’s participants and crowns them with titles such as “world beauty” or “universe beauty.” Photoshopped brand advertisements, people on social media who have taken on an appearance unrelated to themselves, celebrities who appear in their most perfect form on social media, reality shows, and beauty contests that continue today are turning everyone into each other, even turning them into monkeys.

The damage inflicted on the modern individual by a homogenized, polished, and standardized perception of beauty. First, we were sanded down to serve this perception of beauty, from our outer appearance to our lips, hips, and breasts. Then, over time, we turned into monkeys cut from the same mold, even in our inner worlds, our tastes, and our aesthetic perceptions. As humanity evolved to differentiate itself and leave a mark on this world, this uniform aesthetic and perception of beauty fueled a reverse evolution, distancing us from humanity and putting us on the path back to our simian ancestors. This series is actually a critique of the aesthetic perception imposed on modern humans, who have become monotonous and lost the diversity and harmony that is the essence of humanity in the name of beauty.

Ayşe Kırca

Ozempic Monkey, 2025

Acrylic on canvas

70 x 50 cm

Artwork ID: 5990

Ayşe Kırca

Plastic Surgery 101, 2025

Acrylic on canvas

115 x 160 cm

Artwork ID: 6007

Ayşe Kırca

Cosmetically Enhanced Monkey, 2025

Acrylic on canvas

50 x 50 cm

Artwork ID: 5994

Ayşe Kırca

I don’t have any work done on me, 2025

Ceramic

25 x 25 x 26 cm

Artwork ID: 6000

Ayşe Kırca

Beauty Queen, 2024

Acrylic on canvas

200 x 170 cm

Artwork ID: 5973

Ayşe Kırca

Botched I, II, III, 2025

Acrylic on canvas

20 x 20 cm (x 2), 25 x 25 cm

Artwork ID: 5998

Ayşe Kırca

Brazilian Butt Lift, Labubu, 2025

Acrylic on canvas

50 x 50 cm

Artwork ID: 6002

Ayşe Kırca

Face Bandage, 2025

Mixed media on canvas

70 x 50 cm

Artwork ID: 6005

Ayşe Kırca

Give Me a Shot !, 2025

Mixed media on wood panel

95 x 60 cm

Artwork ID: 6023

Ayşe Kırca

Facetune Victim, 2025

Acrylic on canvas

70 x 50 cm

Artwork ID: 5992

Ayşe Kırca

Human Evolution, 2025

Acrylic on canvas

100 x 70 cm

Artwork ID: 5996

Ayşe Kırca

Ayşe Kırca graduated with a Bachelor of Fine Arts degree in acting from New York Film Academy in 2015. Upon graduating she has decided to pursue her career in the fine arts along with acting. Her first exhibition was the “Summer Love” at EkavArt Gallery. As an artist she is telling a story about the point where perception of beauty has come nowadays. Through her monkey figures she emphasizes the phrase “to become a monkey” and plays on the idea of reverse human evolution. She is aiming to bring awareness to the sense of beauty, and the beauty within thyself.

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