Ayşe Kırca : For the Sake of Beauty
The impact of social media today means that being “beautiful” is never enough, leading people to become addicted to aesthetics, including Hollywood and the rest of the world’s obsession with “Ozempic,” “Mounjaro” weight loss injections, the new technological machines emerging daily in the beauty industry, or the use of photo applications like Facetune when these prove insufficient. We are moving far away from loving ourselves, accepting ourselves, and looking as we are. So far away that this obsession with beauty can make many of us look absurd and ridiculous in real life or in the digital world.
We live in a world where being beautiful, handsome, and young has always been valued. These terms, whose definitions vary depending on who you ask and what you ask for, push us to change ourselves. Beauty contests are one example. These are superficial competitions held all over the world, where a jury selects the most beautiful contestants from among that year’s participants and crowns them with titles such as “world beauty” or “universe beauty.” Photoshopped brand advertisements, people on social media who have taken on an appearance unrelated to themselves, celebrities who appear in their most perfect form on social media, reality shows, and beauty contests that continue today are turning everyone into each other, even turning them into monkeys.
The damage inflicted on the modern individual by a homogenized, polished, and standardized perception of beauty. First, we were sanded down to serve this perception of beauty, from our outer appearance to our lips, hips, and breasts. Then, over time, we turned into monkeys cut from the same mold, even in our inner worlds, our tastes, and our aesthetic perceptions. As humanity evolved to differentiate itself and leave a mark on this world, this uniform aesthetic and perception of beauty fueled a reverse evolution, distancing us from humanity and putting us on the path back to our simian ancestors. This series is actually a critique of the aesthetic perception imposed on modern humans, who have become monotonous and lost the diversity and harmony that is the essence of humanity in the name of beauty.
Artworks Part of this Exhibition
Ayşe Kırca
Ozempic Monkey, 2025
Acrylic on canvas
70 x 50 cm
Artwork ID: 5990
Ayşe Kırca
Plastic Surgery 101, 2025
Acrylic on canvas
115 x 160 cm
Artwork ID: 6007
Ayşe Kırca
Cosmetically Enhanced Monkey, 2025
Acrylic on canvas
50 x 50 cm
Artwork ID: 5994
Ayşe Kırca
I don’t have any work done on me, 2025
Ceramic
25 x 25 x 26 cm
Artwork ID: 6000
Ayşe Kırca
Beauty Queen, 2024
Acrylic on canvas
200 x 170 cm
Artwork ID: 5973
Ayşe Kırca
Botched I, II, III, 2025
Acrylic on canvas
20 x 20 cm (x 2), 25 x 25 cm
Artwork ID: 5998
Ayşe Kırca
Brazilian Butt Lift, Labubu, 2025
Acrylic on canvas
50 x 50 cm
Artwork ID: 6002
Ayşe Kırca
Face Bandage, 2025
Mixed media on canvas
70 x 50 cm
Artwork ID: 6005
Ayşe Kırca
Give Me a Shot !, 2025
Mixed media on wood panel
95 x 60 cm
Artwork ID: 6023
Ayşe Kırca
Facetune Victim, 2025
Acrylic on canvas
70 x 50 cm
Artwork ID: 5992
Ayşe Kırca
Human Evolution, 2025
Acrylic on canvas
100 x 70 cm
Artwork ID: 5996
Ayşe Kırca
Ayşe Kırca graduated with a Bachelor of Fine Arts degree in acting from New York Film Academy in 2015. Upon graduating she has decided to pursue her career in the fine arts along with acting. Her first exhibition was the “Summer Love” at EkavArt Gallery. As an artist she is telling a story about the point where perception of beauty has come nowadays. Through her monkey figures she emphasizes the phrase “to become a monkey” and plays on the idea of reverse human evolution. She is aiming to bring awareness to the sense of beauty, and the beauty within thyself.